During the Second World War, France was occupied by German
troops between 1940 and 1944. Approximately 75,000 of the Jews living in France
were sent to concentration camps, this represented almost one quarter of the
French Jewish population. Iréne Némirovsky was one of those sent
to one of the Nazi’s camps. She was targeted because she was a visionary well known
for her pieces of writing prior to the invasion. The German Nazi’s desired to eliminate all literature written
by Jews as part of the ethnic cleansing campaign. Although Nemirovsky did not
openly embrace or endorse her Jewish descent, nor was it present in her works,
the Germans would have seen her gifts as a threat arising merely from her
impure Jewish ancestry. As a result, she was targeted for elimination from
society.
Némirovsky had finished two of the planned five parts for her
novel Suite Française when the Germans sent her to the notorious Auschwitz concentration
camp. The Germans took her from her home, along with husband Michel Epstein and
their two daughters. It is a miracle that Némirovsky’s manuscripts never
fell into the hands of German Troops, who would have surely destroyed them. The
Nazi’s sought to burn all unapproved books so as to control what knowledge their
citizens obtained to prevent an uprising against their immoral rule. Even after
Michel himself was sent to the gas chambers, the manuscripts remained hidden in
a notebook in the possession of one of their daughters, whom did not even
realize the masterpiece occupying the pages for fifty years.
Némirovsky is not the only creator whose works went undiscovered
by the Germans. Roger Schall, a renowned photographer, hid negatives of his
pictures of the German occupation of France so as to protect this history. The artistic
works that survived the Holocaust allow us to gain authentic and uncensored
insight on the tragedies of the war. They allow the real history to be learned.
These treasures provide our best lens to examine the past, to ensure it is not
repeated.
I agree that the novel and Schall's photos are among the most timely and authentic of witnessings of the war. Unfortunately, we need thousands more of such documents to ascertain the "real history" so I would caution against using that heavily charged term. But for eye-witness testimonials to events and the psychological turmoil that they stirred up, Schall and Nemirovsky are certainly unique. (FYI: when you cite facts that you got somewhere, it seems like a reference is called for, don't you think? even on a blog...)
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