The notion of
"nationalism" is often a factor in the outbreak of conflict and war.
Nationalism can be defined as "an extreme form of patriotism marked by a
feeling of superiority over other countries1." Extreme
nationalism often leads to the demonization of “other”—making the atrocities
committed in war much easier to swallow. But even with a strong sense of
obligation to one’s country, can we really quell our humanistic tendencies?
Némirovsky touches upon this aspect of the human condition in the first few
chapters of Dolce.
Madame Angellier fights any humanist feelings
towards the young German soldiers with nationalistic feelings. She makes no
attempts to understand her “enemy” and rather focuses on her own broken heart.
The older woman hides all of her possessions before the German intrudes into
her life and home. She refuses to let gifts that she hates “be defiled by
contact with Germans,” as “they had been given by French hands, looked at by
French eyes, [and even] touched by the feather dusters of France” (209). Madame
Angellier finds ugly vases given by remote relatives more valuable than a
German life.
The younger Madame Angellier responds quite
differently than her mother-in-law. When the German soldiers were a distant
concept—brutes capturing and killing French fathers, brothers, and
sons—feelings were black and white. But as the young German soldiers began to
board in French homes, even the homes with missing loved ones, feelings became
murky; there were no longer distinct lines. The soldiers did not look like “mad
brute” gorillas but “young” boys with “rosy complexions and golden hair” (208).
Even the younger Madame Angellier, the wife of a prisoner of war in Germany, cannot help but sympathize. She attempts to think of her country, her people, and her husband at the sight of the Germans, but she has a deeper understanding of the complexities of war. She runs through a series of emotions as she ponders the young soldier entering her home; “maybe he’s the one…who took Gaston prisoner? My God, how many Frenchmen has he killed? How many tears have been shed because of him? It’s true that if the war had ended the other way, Gaston might today be entering a German house. That’s how war is; it isn’t this boy’s fault” (216). In the Take Ten program through the Robinson Community Learning Center here in South Bend, I teach a violence prevention class to high school aged students. A substantial amount of the curriculum encompasses understanding and celebrating diversity as a basis of conflict resolution. To solve current violence and prevent future violence, both parties have to be willing to step into each other’s shoes. Gaston’s wife understands that her husband could have been in the very same position as the young German before her, and therefore she cannot arouse any feelings of animosity.
US Anti-German Propaganda (WWII) Two young, anonymous German soldiers (WWII)
Even the younger Madame Angellier, the wife of a prisoner of war in Germany, cannot help but sympathize. She attempts to think of her country, her people, and her husband at the sight of the Germans, but she has a deeper understanding of the complexities of war. She runs through a series of emotions as she ponders the young soldier entering her home; “maybe he’s the one…who took Gaston prisoner? My God, how many Frenchmen has he killed? How many tears have been shed because of him? It’s true that if the war had ended the other way, Gaston might today be entering a German house. That’s how war is; it isn’t this boy’s fault” (216). In the Take Ten program through the Robinson Community Learning Center here in South Bend, I teach a violence prevention class to high school aged students. A substantial amount of the curriculum encompasses understanding and celebrating diversity as a basis of conflict resolution. To solve current violence and prevent future violence, both parties have to be willing to step into each other’s shoes. Gaston’s wife understands that her husband could have been in the very same position as the young German before her, and therefore she cannot arouse any feelings of animosity.
Works Cited
1. nationalism. Oxford
Dictionaries. Oxford University Press.
http://www.oxforddictionaries.com/definition/english/nationalism (accessed
March 18, 2015).


Excellent work in every way! I love the visual images that you found and shared with us; thank you! The connections made to your work in the community, which stresses the importance of building common ground to experience empathy, are well connected to the novel. Congrats!
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