After reading the piece by Truman Capote, I began to
wonder if what he was saying was serious or satirical- was he trying to make a
comment on how women should act, or was he criticizing how women are told to
sit pretty and quiet. Of course, I did read his piece with biased eyes that are
used to fairly equal rights for both sexes, and therefore I have trouble wrapping
my head around Capote’s archaic description of a beautiful woman as one lacking
confidence and allowing others to gawk at and scorn her appearance.
Capote
likened a beautiful woman to a swan, gliding gracefully through life with an attractive
face and the husband and money to keep it looking that way. Though, he states,
that a woman without a beautiful face can be like a swan, if only she can trick
the people around her that this is so. This idea angers me because it is one
that still exists today, where people’s first impressions are usually only skin
deep and where many would rather pile their money into looking better rather than
using it to exercise their moral and personable attributes. It is also still
clear the envy that women feel about another’s looks, but then what is the
point of beauty if one group is fiending for it while the other group is told
not to appreciate the looks that they were blessed with.
However, I question how serious Capote’s writing is because of how he writes
about Coco Chanel, praising her strength and ability to flourish, but not going
beyond that into her personality and womanhood. Did he believe her to be unattractive
since she flaunted her confidence in her skill and did not follow the ideas of
beauty, charging boldly out into a field dominated by men? Perhaps he is saying that her “inner
vision (220),” adorned by her newly famous fashion, managed to trick people
into seeing her as a swan when she was merely a swallow lucky enough to get a
man’s support? Or is he hinting that all the matters in a woman is what she accomplishes, so that looks are far from being important enough to talk about? Then again, he goes on to liken her to a plant in the end, so I
give up trying to understand the meaning of what he writes and what he thinks
of women.
See Tori Lew's blog post and my comments, on the importance of grasping the author's historical context before jumping to any conclusions.
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